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The year is 1934. With the country in the stranglehold of drought and economic depression, Ella Barron runs her Texas boardinghouse with an efficiency that ensures her life will be kept in balance. Between chores of cooking and cleaning for her residents, she cares for her ten-year-old son, Solly, a sweet but challenging child whose misunderstood behavior finds Ella on the receiving end of pity, derision, and suspicion.
When David Rainwater arrives at the house looking for lodging, he comes recommended by a trusted friend as "a man of impeccable character." But Ella senses that admitting Mr. Rainwater will bring about unsettling changes.
However, times are hard, and in order to make ends meet, Ella's house must remain one hundred percent occupied. So Mr. Rainwater moves into her house...and impacts her life in ways Ella could never have foreseen.
The changes are echoed by the turbulence beyond the house walls. Friends and neighbors who've thus far maintained a tenuous grip on their meager livelihoods now face foreclosure and financial ruin. In an effort to save their families from homelessness and hunger, farmers and cattlemen are forced to make choices that come with heartrending consequences.
The climate of desperation creates a fertile atmosphere for racial tensions and social unrest. Conrad Ellis privileged and spoiled and Ella's nemesis since childhood steps into this arena of teeming hostility to exact his vengeance and demonstrate the extent of his blind hatred and unlimited cruelty. He and his gang of hoodlums come to embody the rule of law, and no one in Gilead, Texas, is safe. Particularly Ella and Solly.
In this hotbed of uncertainty, Ella findsMr. Rainwater a calming presence. She is moved by the kindness he shows other boarders, Solly...and Ella herself. Slowly, she begins to rely on his soft-spokenness, his restraint, and the steely resolve of his convictions.
And on the hottest, most violent night of the summer, those principles will be put to the ultimate test.
From acclaimed bestselling author Sandra Brown comes a powerfully moving novel celebrating the largess and foresight of a great bygone generation. It tells a story that bears witness to a bittersweet truth: that love is worth whatever price one must pay for it.
Bestseller Brown (Smash Cut) brings Depression-era Texas to vivid life in this poignant short novel. At the recommendation of Dr. Murdy Kincaid, Ella Barron, a hardworking woman whose husband deserted her, accepts David Rainwater, a relative of the doctor's, as a lodger at the boarding house she runs in the small town of Gilead, Tex. As the local community contends with a government program to shoot livestock and the opposition of racist Conrad Ellis, a greedy meatpacker, to poor families butchering the meat, Ella grows closer to David. Meanwhile, David becomes a special guardian angel to Solly, Ella's nine-year-old autistic son. Dr. Kincaid has gently suggested Ella put Solly in an institution, but she refuses to do so. Brown skillfully charts the progress of Ella and David's quiet romance, while a contemporary frame adds a neat twist to this heartwarming but never cloying historical. (Nov.)
More Reviews and RecommendationsAlready a successful romance novelist in the 1980s, Sandra Brown struck gold when she pushed past the category’s boundaries to take chances with more intricate plotting, richer characters, and surprising plot twists. Her string of bestsellers feature strong, capable career women in extreme circumstances.
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January 04, 2010: I am an avid Sandra Brown fan. I own and have read all her books; even the hard to find books first published in the 80's at various used bookstores around Arizona. All I can say is that this is unlike any book she has ever written and I love it. It's a heartwarming, bittersweet story that will make you believe in the wonders of love for the opposite sex and for a child.
I Also Recommend: The Guernsey Literary and Potato Peel Pie Society, Bittersweet Rain, Smoke Screen, The Shack, Explosion In Paris.
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January 01, 2010: I have read all her mystery novels and really like her as a writer. But this was a book you just sat down and enjoyed the read of a real nice story. Would recommend this book to anyone. Sandra Brown is a great writer.
Name:
Sandra Brown
Also Known As:
Laura Jordan, Rachel Ryan and Erin St. Claire
Current Home:
Arlington, TX
Date of Birth:
March 12, 1948
Place of Birth:
Waco, Texas
Education:
Honorary Doctorate of Humane Letters, Texas Christian University, 2008
Awards:
ThrillerMaster from International Thriller Writers, 2008; TX Medal of Arts Award, 2007; A.C. Greene Award; Amer. Business Women’s Assn. Distinguished Circle of Success; B’nai B’rith: Distinguished Lit. Achievement Award; RWA Lifetime Achievement Award
In 1979, Sandra Brown lost her job at a television program and decided to give writing a try. She bought an armful of romance novels and writing books, set up a typewriter on a card table and wrote her first novel. Harlequin passed but Dell bit, and Brown was off and writing, publishing her works under an assortment of pseudonyms.
From such modest beginnings, Brown has evolved into multimillion publishing empire of one, the CEO of her own literary brand; she towers over the landscape of romantic fiction. Brown has used her growing clout to insist her publishers drop the bosom-and-biceps covers and has added more intricate subplots, suspense, and even unhappy endings to her work. The result: A near-constant presence on The New York Times bestsellers list. In 1992, she had three on the list at the same time, joining that exclusive club of Stephen King, Tom Clancy, J. K. Rowling, and Danielle Steel.
Her work in the mainstream realm has taken her readers into The White House, where the president's newborn dies mysteriously; the oil fields and bedrooms of a Dallas-like family dynasty; and the sexual complications surrounding an investigation into an evangelist's murder. Such inventions have made her a distinct presence in a crowded genre.
"Brown is perhaps best known now for her longer novels of romantic suspense. The basic outline for these stories has passionate love, lust, and violence playing out against a background of unraveling secrets and skeletons jumping out of family closets," wrote Barbara E. Kemp in the book Twentieth-Century Romance & Historical Writers . Kemp also praises Brown's sharp dialogue and richly detailed characters. "However, her greatest key to success is probably that she invites her readers into a fantasy world of passion, intrigue, and danger," she wrote. "They too can face the moral and emotional dilemmas of the heroine, safe in the knowledge that justice and love will prevail."
Critics give her points for nimble storytelling but are cooler to her "serviceable prose," in the words of one Publishers Weekly reviewer. Still, when writing a crack page-turner, the plot's the thing. A 1992 New York Times review placed Brown among a group of a writers "who have mastered the art of the slow tease."
Staggeringly prolific, Brown found her writing pace ground to a halt when she was given a different assignment. A magazine had asked her for an autobiographical piece, and it took her months to complete. Her life in the suburbs, though personally fulfilling, was nonetheless blander than fiction. That may be why she dives into her fiction writing with such workhorse gusto. "I love being the bad guy," she told Publishers Weekly in 1995, "simply because I was always so responsible, so predictable growing up. I made straight A's and never got into any trouble, and I still impose those standards on myself. So writing is my chance to escape and become the sleaziest, scummiest role."
When she started writing, her goal was always to break out of the parameters of romance. After about 45 romances, the woman who counts Tennessee Williams and Taylor Caldwell among her influences told The New York Times that felt she had reached a plateau. In fact, she doesn't even look at her books as romances anymore. "I think of my books now as suspense novels, usually with a love story incorporated," she said. "They're absolutely a lot harder to write than romances. They take more plotting and real character development. Each book is a stretch for me, and I try something interesting each time that males will like as well as women."
What was the book that most influenced your life or your career as a writer -- and why?
Testimony of Two Men by Taylor Caldwell. This novel has all the ingredients I love -- family strife, a man in torment, a beautiful love story. The conflicts are believable because they're universal. The characters are richly drawn. The reader is swept into their lives and struggles. It's simply great storytelling. After reading it, I wanted to become Taylor Caldwell.
What are your ten favorite books, and what makes them special to you?
In no particular sequence:
What are some of your favorite films, and what makes them unforgettable to you?
Then there are Love With the Perfect Stranger, This Property is Condemned, and The Way We Were, all directed by Sydney Pollack. There's Twelve Angry Men and In the Heat of the Night. And Body Heat. I could go on and on.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
In my car I listen to either country or classic rock. When I'm writing I listen to instrumentals - either easy listening type stuff, or movie themes, or light classical. I can't listen to music with lyrics when I'm writing. I love show music, too.
What are your favorite kinds of books to give -- and get -- as gifts?
For Father's Day I gave my son Paul Newman's biography. My son-in-law got a coffeetable book on the history of baseball. I recently gave my daughter The Other Boleyn Girl. And my daughter-in-law received a book about the War of the Roses because I knew she'd like that. I give my husband every WWII book that comes out because of his interest in it. One grandson recently got a book about the Wright brothers because he's fascinated with airplanes and another grandson got one about baseball. I give books that I think the recipient will enjoy. As for the books I like getting, one can't go wrong. I like everything!
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I drink General Foods International coffee French Vanilla. In the morning, I have two cups. On my desk is a small warming plate to keep the cup warm. In the afternoon, I switch to Evian. I'm all about creature comfort, so there are scented candles in the room, living plants and fresh flowers, and -- always -- family pictures. These are the things that make me happy.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
The first book I sold (in 1980) was to Dell for a romance series called Ecstasy. The editor soon bought my second. I became a prolific author for several romance lines, writing five or six of them a year. In 1987 I began crossing over into suspense and in 1990 I made the New York Times bestseller list for the first time with a paperback original, Mirror Image. That changed my life. I had published over 50 books by that time. I was no better a writer on May 23, 1990 than I'd been on May 22, 1990, but I was perceived by the industry to be much better. It's staggering to me that next year I will celebrate 30 years of being published. Each time a book appears on the bestseller list, I feel that it's a "breakthrough." I don't take it for granted. It propels me to constantly strive to do better.
What tips or advice do you have for writers still looking to be discovered?
Read, read, read. And write, write, write. I don't know of any shortcuts. You must spend hours, days, weeks, months alone in a room putting words on paper. You can read how-to books on writing, attend workshops, join critique groups, take courses on creative writing. . .and all that is good. But at some point you've got to do the WORK. That's what no one wants to hear. It's not work for the faint of heart or the undisciplined.
Write from your gut as much as from your head. If it feels right, write it down. But don't get too possessive of it that you don't take well-meaning advice. If two or three people give you the same criticism, be wise and listen. A good writer must be willing to edit. At least half of my time is spent rewriting.
The year is 1934. With the country in the stranglehold of drought and economic depression, Ella Barron runs her Texas boardinghouse with an efficiency that ensures her life will be kept in balance. Between chores of cooking and cleaning for her residents, she cares for her ten-year-old son, Solly, a sweet but challenging child whose misunderstood behavior finds Ella on the receiving end of pity, derision, and suspicion.
When David Rainwater arrives at the house looking for lodging, he comes recommended by a trusted friend as "a man of impeccable character." But Ella senses that admitting Mr. Rainwater will bring about unsettling changes.
However, times are hard, and in order to make ends meet, Ella's house must remain one hundred percent occupied. So Mr. Rainwater moves into her house...and impacts her life in ways Ella could never have foreseen.
The changes are echoed by the turbulence beyond the house walls. Friends and neighbors who've thus far maintained a tenuous grip on their meager livelihoods now face foreclosure and financial ruin. In an effort to save their families from homelessness and hunger, farmers and cattlemen are forced to make choices that come with heartrending consequences.
The climate of desperation creates a fertile atmosphere for racial tensions and social unrest. Conrad Ellis privileged and spoiled and Ella's nemesis since childhood steps into this arena of teeming hostility to exact his vengeance and demonstrate the extent of his blind hatred and unlimited cruelty. He and his gang of hoodlums come to embody the rule of law, and no one in Gilead, Texas, is safe. Particularly Ella and Solly.
In this hotbed of uncertainty, Ella findsMr. Rainwater a calming presence. She is moved by the kindness he shows other boarders, Solly...and Ella herself. Slowly, she begins to rely on his soft-spokenness, his restraint, and the steely resolve of his convictions.
And on the hottest, most violent night of the summer, those principles will be put to the ultimate test.
From acclaimed bestselling author Sandra Brown comes a powerfully moving novel celebrating the largess and foresight of a great bygone generation. It tells a story that bears witness to a bittersweet truth: that love is worth whatever price one must pay for it.
Bestseller Brown (Smash Cut) brings Depression-era Texas to vivid life in this poignant short novel. At the recommendation of Dr. Murdy Kincaid, Ella Barron, a hardworking woman whose husband deserted her, accepts David Rainwater, a relative of the doctor's, as a lodger at the boarding house she runs in the small town of Gilead, Tex. As the local community contends with a government program to shoot livestock and the opposition of racist Conrad Ellis, a greedy meatpacker, to poor families butchering the meat, Ella grows closer to David. Meanwhile, David becomes a special guardian angel to Solly, Ella's nine-year-old autistic son. Dr. Kincaid has gently suggested Ella put Solly in an institution, but she refuses to do so. Brown skillfully charts the progress of Ella and David's quiet romance, while a contemporary frame adds a neat twist to this heartwarming but never cloying historical. (Nov.)
An antiques store owner's explanation of why he won't sell his beloved pocket watch to a yuppie couple is the basis of prolific author Brown's (Smashcut) attempt to entertain readers with a sentimental story just in time for Christmas. Actually, it's a pretty darn good attempt. In 1934 Texas, Ella runs a small boardinghouse while coping with a difficult ten-year-old son. New boarder David Raintree shows a special interest in Ella's son. Raintree is handsome, charming, kind, and sensitive and has some serious health issues of his own. It's a foregone conclusion that he and Ella will become lovers. Some racial overtones are thrown in when a young black minister comes to town, and the story reaches a somber and violent conclusion. VERDICT Predictable but pleasant. Fans of Brown's romantic suspense thrillers will be surprised, as this book resembles a Richard Paul Evans or Emily Grayson novel. But multiple copies will be essential, as author recognition alone will spark interest.—Margaret Hanes, Warren Civic Ctr. Lib., MI
Megaseller Brown (Smash Cut, 2009, etc.) tries her hand at historical fiction in this slight tale of a Depression-era landlady and her mysterious boarder. Gilead, Texas-1934, population 5,000, if you don't count the unfortunates inhabiting the shantytown on the city limits-is reeling from the ravages of the crash and the drought, but Ella Barron's boarding house is an enclave of efficient domesticity. With the help of her black maid Margaret, Ella serves three squares a day, handles arduous Monday washdays and keeps an impeccable house for her tenants, a travelling salesman and two spinsters. Her husband skipped town some time ago, and Ella's ten-year-old son Solly is given to strange compulsions and fits that their family physician, Dr. Kincaid, can't diagnose. (Autism-spectrum disorders were then unknown.) Into Ella's regimented life comes Mr. Rainwater, Kincaid's cancer-stricken distant cousin. A prosperous former cotton broker, lanky, handsome Rainwater has decided to spend his final weeks at Ella's boardinghouse. Despite his moribund condition and bouts of severe pain, he is a quixotic social activist. Drought-impoverished cattle farmers are being forced to sell their starving herds to a government program that dispatches the cattle on site, burying the emaciated carcasses in huge ditches. When ranchers allow Shantytown residents to scavenge the ditches for meat, a gang led by town bully Conrad Ellis, whose family meatpacking business is threatened, terrorizes scavengers and ranchers alike. Conrad is only temporarily deterred by the group resistance organized by Rainwater; an eventual showdown between the two is as inevitable as the romance between Ella and Rainwater, who moves herby seeing the savant in Solly where others see only idiocy. Despite Brown's earnest dramatization of the era's horrors, including racial prejudice, lynching, homelessness and hunger, the novel never achieves the pathos she aims for. Her characters are simply too wooden, her Depression too much like a sepia-tinted souvenir photo. Mediocre, but with the author's track record and a pre-Christmas release, how can it fail?
Loading...Prologue
"By any chance, is your pocket watch for sale?"
The old man raised his head. The woman asking about his watch was leaning across the glass display case separating them. Inside the case were snuffboxes, hatpins, razors with bone handles, saltcellars with their dainty sterling silver spoons, and various pieces of jewelry recently acquired at an estate sale.
But the woman's focus was on his watch.
He guessed the woman and her husband to be in their midforties. To them the gold timepiece probably looked dapper and quaint, Rockwellian. The couple were dressed in the preppy fashion of country club members. Both were trim and tanned, and they looked good together, as though they had come as a set, the man as handsome as his wife was attractive.
They had arrived in a sleek SUV, which looked out of place on the dusty gravel parking lot in front of the antiques store. In the half hour they'd been there, several items in his inventory had attracted their interest. The things they had decided to purchase were of good quality. As their appearances indicated, they had discriminating taste.
The old man had been listing the items on a sales receipt when his customer posed the question about his pocket watch. He laid a protective hand over it where it rested against his vest and smiled. "No, ma'am. I couldn't part with my watch."
She had the confidence of a pretty woman who was accustomed to beguiling people with her smile. "Not for any price? You don't see pocket watches like that these days. The new ones look...well, new. Shininess makes them appear phony and cheap, doesn't it? A patina, like that on yours, gives it character."
Her husband, who'd beenbrowsing the bookshelves, joined them at the counter. Like his wife, he leaned across the display case to better inspect the watch's workmanship. "Twenty-four-karat gold?"
"I would imagine so, although I've never had it appraised."
"I'd take it without having it appraised," the man said.
"I wouldn't consider selling it. Sorry." The shopkeeper bent over the case and continued to painstakingly write up their purchases. Some days the arthritis in his knuckles made handwriting difficult, but what place did a computer have in an antiques store? Besides, he distrusted them.
He did the arithmetic the old-fashioned way, carrying over the two and arriving at his total. "With tax, it comes to three hundred sixty-seven dollars and forty-one cents."
"Sounds fair enough." The man pinched a credit card out of a small alligator wallet and slid it across the top of the case. "Add two bottles of Evian, please." He went to the sleek refrigerated cabinet with a glass door. It had no place in an antiques store, either, but thirsty browsers stayed to browse longer if drinks were available, so the refrigerator was the shopkeeper's one small concession to modernity.
"On the house," he told his customer. "Help yourself."
"That's awfully nice of you."
"I can afford it," he told them with a smile. "This is my biggest single sale of the weekend."
The man took two bottles of water from the refrigerator and passed one to his wife, then signed the credit card receipt. "Do you get a lot of traffic off the interstate?"
The store owner nodded. "People who're in no particular hurry to get where they're going."
"We noticed your billboard," the woman said. "It caught our attention, and, on the spur of the moment, we decided to take the exit."
"The rental on that billboard is expensive as all get-out. I'm glad to know it's working." He began carefully wrapping their purchases in sheets of tissue paper.
The man took a look around the shop, glanced out at the parking lot, which was empty except for his own gas guzzler, and asked, somewhat doubtfully, "Do you do a good business?"
"Fair to middling. The store's more a hobby than anything. It keeps me active, keeps my mind sharp. Gives me something to do in my retirement."
"What line of work were you in?"
"Textiles."
"Were antiques always an interest?" the woman asked.
"No," he admitted sheepishly. "Like most things in life, this" he raised his hands to indicate the shop "came about unexpectedly."
The lady pulled forward a tall stool and sat down. "It sounds like there's a story."
The old man smiled, welcoming her interest and the opportunity to chat. "The furnishings from my mother's house had been in storage for years. When I retired and had time to sort through everything, I realized I didn't have any use for most of the stuff, but I thought other people might. So I started selling off china and doodads. Gradual like, at weekend flea markets and such. I wasn't all that ambitious, but, as it turned out, I was a pretty good merchant.
"Soon friends and acquaintances began bringing me items to sell on consignment. Almost before I knew it, I'd run out of space in the garage and had to rent this building."
He shook his head, chuckling. "I just sort of fell into becoming an antiques dealer. But I like it." He grinned at them. "Keeps me occupied, keeps me in spending money, and I get to meet nice folks like y'all. Where's your home?"They told him they were from Tulsa and had been to San
Antonio for a long golf weekend with friends. "We're not on a deadline to get home, so when we saw your sign, we decided to stop and take a look. We're furnishing our lake house with antiques and rustics."
"I'm glad you stopped." He passed the woman a business card with the shop's logo on it. "If you change your mind about that Spode tureen you spent so much time considering, call me. I ship."
"I just might." She ran her finger over the name embossed on the card as she read it aloud. "Solly's. That's an unusual name. First or last?"
"First. Short for Solomon, after the wise king in the Old Testament." He smiled ruefully. "I've often wondered if my mother had second thoughts about that choice."
"That's twice you've mentioned your mother." The woman's smile was warmer, even prettier, when she wasn't using it to try to finagle her way. "You must have been very close to her. I mean, I assume she's no longer living."
"She died in the late sixties." He reflected on how long ago that must sound to this couple. They would have been babies. "Mother and I were very close. I miss her to this day. She was a lovely woman."
"Is Gilead your home?"
"I was born here, in a big yellow house that had belonged to my maternal grandparents."
"Do you have a family?"
"My wife passed on eight years ago. I have two children, a boy and a girl. Both live in Austin. Between them, they've given me six grandchildren, the oldest of which is about to get married."
"We have two sons," the woman said. "Both are students at Oklahoma State."
"Children are a joy."
The woman laughed. "As well as a challenge."
Her husband had been following their conversation while examining the selections in the bookcase. "These are first editions."
"All signed and in excellent condition," the shopkeeper said. "I picked them up at an estate sale not long ago."
"Impressive collection." The man ran his finger along the row of book spines. "Truman Capote's In Cold Blood. A Steinbeck. Norman Mailer. Thomas Wolfe." He turned to the merchant and grinned. "I should have left my credit card out."
"I also take cash."
The customer laughed. "I'll bet you do."
His wife added, "For everything except your pocket watch."
The old man slipped the fob through the buttonhole on his vest and cupped the watch in his palm. It hadn't lost a second since he'd last wound it. Time had yellowed the white face, but the slight discoloration gave it a richer look. The black hands were as thin as the filaments of a spider's web. The long hand had a sharp arrow point. "I wouldn't take anything for it, ma'am."
Softly she said, "It's invaluable to you."
"In the strictest sense."
"How old is it?" the man asked.
"I don't know for certain," replied the shopkeeper, "but its age isn't what makes it meaningful to me." He turned it facedown and extended his hand to them so they could read the inscription on the back of the gold case.
"August eleventh, 1934," the woman read aloud. Then looking back at him, she asked, "What does it commemorate? An anniversary? Birthday? Something exceptional?"
"Exceptional?" The old man smiled. "Not particularly. Just very special."Copyright © 2009 by Sandra Brown Management Ltd.
One
When Ella Barron woke up that morning, she didn't expect it to be a momentous day.
Her sleep hadn't been interrupted by a subconscious premonition. There had been no change in the weather, no sudden shift in the atmosphere, no unusual sound to startle her awake.
As on most mornings, sleep released her gradually a half hour before daylight. She yawned and stretched, her feet seeking cool spots between the sheets. But catching another forty winks was out of the question. To indulge in such a luxury would never have crossed her mind. She had responsibilities, chores that couldn't be shirked or even postponed. She lay in bed only long enough to remember what day of the week it was. Wash day.
She quickly made her bed, then checked on Solly, who was still deep in slumber.
She dressed with customary efficiency. With no time for vanity, she hastily twisted her long hair into a bun on the back of her head and secured it with pins, then left her bedroom and made her way to the kitchen, moving quietly so as not to awaken the others in the house.
This was the only time of day when the kitchen was quiet and cool. As the day progressed, heat was produced by the cookstove. Heat seeped in from outside through the screened door and the window above the sink. Even Ella's own energy acted as a generator.
Proportionately with the thermometer, the noise level rose, so that by suppertime, the kitchen, which was the heart of the house, took on a pulsating life of its own and didn't settle into cool repose until Ella extinguished the overhead light for the final time, most often hours after her boarders had retired.
This morning, she didn't pause to enjoy either the relative coolness or the silence. Having put on her apron, she lit the oven, put the coffee on to brew, then mixed the biscuit dough. Margaret arrived right on time, and after removing her hat and hanging it on the peg inside the door, and gratefully taking a tin cup of sweetened coffee from Ella, she went back outside to fill the washing machine with water for the first load of laundry.
The prospect of buying an electric-powered washing machine was so remote that Ella didn't even dream about it. For her foreseeable future she must continue using the one with the hand-crank wringer that had been her mother's. Suds and rinse water from the tub were drained into a ditch that ran alongside the shed where the washer was housed.
On a summer day like today, the washing shed became stifling by midmorning. But wet laundry seemed heavier when one's hands were raw and numb from cold during the winter months. In any season, laundry days were dreaded. By nightfall her back would be aching.
Solly, still in his pajamas, wandered into the kitchen while she was frying bacon.
Breakfast was served at eight.
By nine o'clock everyone had been fed, the dishes washed, dried, and put away. Ella set a pot of mustard greens on the stove to simmer all day, cooked a pan of Faultless starch, then, taking Solly with her, went outside to hang up the first basket of laundry that Margaret had washed, rinsed, and wrung out.
It was almost eleven o'clock when she went inside to check on things in the kitchen. While she was adding a little more salt to the greens, someone pulled the bell at her front door. As she walked along the dim center hall, she dried her hands on her apron and glanced at herself in the wall mirror. Her face was flushed and damp from the heat, and her heavy bun had defied the pins and slipped down onto her nape, but she continued to the door without stopping to primp.
On the other side of the threshold, squinting at her through the screened door, was Dr. Kincaid. "Morning, Mrs. Barron." His white straw hat had a natty red cloth band, striated with generations of sweat stains. He removed it and held it against his chest in a rather courtly manner.
She was surprised to see the doctor on her porch, but still nothing signaled her that this would be an extraordinary day.
Dr. Kincaid's office was in the center of town on Hill Street, but he also made house calls, usually to deliver a baby, sometimes to keep a contagious patient from spreading his infection through Gilead, their town of two thousand.
Ella herself had summoned the doctor to the house a couple of years ago when one of her boarders fell out of his bed during the middle of the night. Mr. Blackwell, an elderly gentleman who fortunately had been more embarrassed than injured, protested even as Dr. Kincaid agreed with Ella that he probably should be thoroughly examined just as a precaution. Mr. Blackwell no longer lived with her. Shortly after that incident, his family had moved him to a home for the elderly in Waco. Mr. Blackwell had futilely protested his involuntary relocation, too.
Had one of her boarders sent for the doctor today? Little in the house escaped Ella's notice, but she'd been outside most of the morning, so it was possible that one of the sisters had used the telephone without her knowledge.
"Good morning, Dr. Kincaid. Did one of the Dunnes send for you?"
"No. I'm not here on a sick call."
"Then what can I do for you?"
"Is this a bad time?"
She thought of the clothes piled into baskets and ready to be starched, but the starch needed a while longer to cool. "Not at all. Come in." She reached up to unlatch the screened door and pushed it open.
Dr. Kincaid turned to his right and made a come-forward motion with his hat. Ella was unaware of the other man's presence until he stepped around the large fern at the side of the front door and into her range of vision.
Her first impression of him was how tall and lean he was. One could almost say he looked underfed. He was dressed in a black suit with a white shirt and black necktie, and was holding a black felt fedora. She thought his clothes looked severe and out of season for such a hot morning, especially compared to Dr. Kincaid's seersucker suit and white hat with the red band.
The doctor made the introduction. "Mrs. Barron, this is Mr. Rainwater."
He inclined his head. "Ma'am."
"Mr. Rainwater."
She moved aside and indicated for them to come inside. Dr. Kincaid allowed the other man to go in ahead of him. A few steps into the foyer, he stopped to let his eyes adjust to the relative darkness. Then he took in his surroundings as he idly threaded the brim of his hat through long, slender fingers.
"In here, please." Ella stepped around her two guests and motioned them into the formal parlor. "Have a seat."
"We thought we heard the doorbell."
The chirping voice brought Ella around. The Misses Dunne, Violet and Pearl, were standing on the bottom stair. In their pastel print dresses and old-fashioned shoes, they were virtually interchangeable. Each had a nimbus of white hair. Their veined, spotted hands clutched matching handkerchiefs, daintily hemmed and hand-embroidered by their mother, they'd told Ella.
With unabashed curiosity, the two were looking beyond Ella to catch a glimpse of the visitors. Having callers was an event.
"Is that Dr. Kincaid?" asked Pearl, the more inquisitive of the two. "Hello, Dr. Kincaid," she called.
"Good morning, Miss Pearl."
"Who's that with you?"
Miss Violet frowned at her sister with reproof. "We were coming down to play gin rummy until lunch," she whispered to Ella. "Will we disturb?"
"Not at all."
Ella asked them to use the informal parlor and led them to it. When they were situated at the card table, she said, "Please excuse us, ladies," and pulled together the heavy oak pocket doors that divided the large room in half. She rejoined the two men in the formal side, which overlooked the front porch. Despite her invitation for them to sit down, they had remained standing.
Dr. Kincaid was fanning himself with his hat. Ella switched on the fan on the table in the corner, directed the stream of air toward him, then motioned the men toward a pair of wingback chairs. "Please."
They sat when she did.
This being summer, and wash day, she hadn't put on stockings that morning. Embarrassed by her bare legs, she crossed her ankles and pulled her feet beneath the chair. "Would you like some lemonade? Or tea?"
"That sounds awfully good, Mrs. Barron, but I'm afraid I have to pass," the doctor said. "I've got patients to see at the clinic."
She looked at Mr. Rainwater.
"No thank you," he said.
Returning to the kitchen would have given her an opportunity to remove her apron, which had a damp patch where she'd dried her hands, and to pin her bun more securely. But since her guests had declined the offer of a drink, she was stuck looking untidy for the remainder of their visit, the purpose of which hadn't yet been stated. She wondered what Solly was up to and how long this unexpected meeting was going to take. She hoped Mr. Rainwater wasn't a salesman. She didn't have time to sit through his pitch, only to say no to whatever it was he was peddling.
The smell of simmering mustard greens was strong, even here in the front parlor. The doctor withdrew a large white handkerchief from his coat pocket and used it to blot sweat from his balding head. A yellow jacket flew into the window screen and continued angrily to try to go through it. The hum of the electric fan seemed as loud as a buzz saw.
She was relieved when Dr. Kincaid cleared his throat and said, "I heard you lost a boarder."
"That's right. Mrs. Morton went to live with an ailing sister. Somewhere in eastern Louisiana, I believe."
"Quite a piece from here," he remarked.
"Her nephew came to escort her on the train."
"Nice for her, I'm sure. Have you had anyone speak for her room?"
"She only left the day before yesterday. I haven't had time to advertise."
"Well then, that's good, that's good," the doctor said and began fanning himself enthusiastically, as though in celebration of something.
Discerning now the purpose for their call, she looked at Mr. Rainwater. He sat leaning slightly forward with both feet on the floor. His black shoes were shined, she noticed. His thick, dark hair was smoothed back off his face, but one strand, as straight and shiny as a satin ribbon, had defiantly flopped over his broad forehead. His cheekbones were pronounced, his eyebrows as sleek and black as crows' wings. He had startling blue eyes, and they were steady on her.
"Are you interested in lodging, Mr. Rainwater?"
"Yes. I need a place to stay."
"I haven't had a chance to give the vacant room a thorough cleaning, but as soon as it's ready, I'd be happy to show it to you."
"I'm not particular." He smiled, showing teeth that were very white, although slightly crooked on the top. "I'll take the room as is."
"Oh, I'm afraid I couldn't let you have it now," she said quickly. "Not until I've aired the bedding, scrubbed everything, polished the floor. I have very high standards."
"For boarders or cleanliness?"
"For both."
"Which is why I've brought him to you," the doctor said hastily. "I told Mr. Rainwater that you keep an immaculate house and run a tight ship. To say nothing of the excellent meals your boarders enjoy. He desires a place that's well maintained. A peaceful and quiet house."
Just then, from the direction of the kitchen, came a terrible racket followed by a bloodcurdling scream.Copyright © 2009 by Sandra Brown Management Ltd.
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